In the world of professional wrestling, some careers explode like dynamite—others, like Angela Fong’s, burn like a long fuse wrapped in silk: slow, stylish, and waiting for just the right moment to go boom.
Fong, born February 3, 1985, in Vancouver, British Columbia, was always a walking contradiction. She had cheerleader energy with a judo grip. A pageant queen’s smile masking the intensity of a dragon. And yet, for all the charisma and athleticism she carried, WWE managed to squander her like they found a $100 bill and used it to mop up spilled coffee.
WWE: “Savannah”—The Name, Not the Storm
After not making the final cut of WWE’s 2007 Diva Search—a process best remembered for creating three future wrestlers and seven women who couldn’t run the ropes—Fong was signed anyway. Talent speaks louder than bikinis, even in Stamford.
Assigned to Florida Championship Wrestling (FCW), she started as a valet for The Puerto Rican Nightmares. And like many future legends, she learned the business the hard way: by standing ringside, taking bumps, and fighting for seconds of screen time. Eventually, she made her move into the ring and promptly became the first-ever Queen of FCW in 2009. That should’ve been her coronation. Instead, WWE handed her a microphone and a job title: “Savannah.”
Savannah. Not a wrestler. Not even a heel manager. Just Savannah.
She became ECW’s backstage interviewer, which meant she stood in the shadows while sweaty dudes with half a dozen tribal tattoos screamed into the void. She had personality to spare, but WWE handed her cue cards and a poker face. When ring announcer Lauren Mayhew departed, Savannah took over announcing duties, becoming the human voice of ECW’s dying gasp.
Her biggest WWE gig? Ring announcing the WrestleMania XXVI preshow battle royal and the Money in the Bank ladder match. That’s it. Two matches. One ladder. A million wasted opportunities.
And then—poof. Gone. June 23, 2010. Released like a bad habit during a spring cleaning budget purge. Jim Cornette might’ve called it “another case of WWE putting lipstick on a Cadillac, then driving it into a ditch.”
Post-WWE: Making Indie Gold Out of Corporate Coal
Fong didn’t cry into her tiara. She started hustling. On the indies, she wrestled under her real name and actually, you know, wrestled. Her first post-WWE match was a win, claiming the GBPW Ladies Championship. She worked shows like Ice Ribbon in Japan, where the crowds are quieter but the strikes are not. She scrapped. She adapted. She even joined the XFC Cage Dolls as an MMA dancer—because even gladiator arenas need rhythm.
But nothing could’ve prepared the world for what was coming next: Black Lotus.
Lucha Underground: From Interviewer to Underground Ninja Assassin
If WWE was the McDonald’s of wrestling, Lucha Underground was a back-alley food truck serving spiked tequila and lucha libre bloodsport. It was weird. It was violent. It was cinematic. And it was where Angela Fong finally got her moment—not as a talking head, but as Black Lotus, a masked avenger with a taste for vengeance and a wardrobe that said “Mortal Kombat but make it high fashion.”
Introduced in 2014 as a mysterious figure watching matches from the shadows (because of course she was), Black Lotus soon revealed her quest: find Matanza, the monster who supposedly murdered her parents. Cue betrayal, brainwashing, and a whole lot of whispered Spanish threats. Dario Cueto, Lucha Underground’s greasy owner, convinced Lotus that her ally, El Dragon Azteca, was the real killer.
So, naturally, Lotus karate-chopped him to death. Or so we were led to believe. Welcome to Lucha Underground, where plotlines are Shakespeare with steel chairs.
Lotus then became Cueto’s bodyguard. Think female Big Boss Man with high kicks. She eventually got her first televised match—against Azteca Jr. But the match went to a no-contest when Pentagón Dark broke her arm like a breadstick. That’s how you make a debut: enter, stare, kick, scream, leave in a sling.
She returned with the Black Lotus Triad, a group of masked killers from Japan, in a moment that felt more Kill Bill than SmackDown. They attacked Pentagón Dark like a pack of wolves on a weakened elk. It was beautiful. It was violent. It was everything WWE wouldn’t let her be.
And then… Lucha Underground folded like an origami chair.
Hollywood Cameos, Game Shows, and Real-Life Happy Endings
Angela didn’t disappear. She pivoted again. In 2012, she showed up on Take Me Out and Who Wants to Date a Comedian? (She won, for the record.) She also appeared in Ashanti’s “Rain on Me” video. Because when you look like that and have combat training, you’re a one-woman action movie waiting to be optioned.
Behind the curtain, she built a real life too. Married Phil Habeger in 2015. Had two kids—one in 2020, the other in 2023. She may have traded bump cards for baby monitors, but make no mistake—Angela Fong could still arm drag you into next week if you called her “just a diva.”
Legacy: The What-If Queen
Angela Fong is one of the biggest “What Ifs” of her generation.
What if WWE had let her wrestle instead of read? What if Savannah became a faction-leading heel like Trish, instead of a disembodied voice on ECW? What if Lucha Underground had lasted longer than your average Netflix series?
She had it all—looks, legitimacy, timing, and presence. The fact that WWE buried her under clipboards and half-baked announcing gigs is less surprising than it is depressing.
But she endured. She thrived. And when she finally got to show what she was made of, she chose to do it in a temple, under a mask, surrounded by warriors.
Angela Fong wasn’t just another forgotten WWE developmental casualty.
She was Black Lotus—and for a few wild seasons, she was the most dangerous woman in underground wrestling.
Heenan would’ve said, “She’s so lethal, they had to put a mask on her just so people wouldn’t recognize who ended their careers.”
Cornette? He’d yell that WWE couldn’t book water in a desert—and Angela Fong was the monsoon they let get away.
Wrestling forgot her.
But the smart fans never did.